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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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更多 →狗心1988
米哈伊尔·阿法纳西耶维奇·布尔加科夫1891年生于基辅,1940年逝世于莫斯科。世界文坛称他是一位思想深邃、以大无畏精神向一切邪恶挑战的文学大师。其代表作《狗心》、《白卫军》、《大师和玛格丽特》等曾被苏联当局查禁没收,或“默杀”。作家死后恢复名誉、苏联文坛两度掀起“布尔加科夫热”。现在他的作品进入现代经典之列,被誉为20世纪最伟大的文学珍品之一。 《狗心》作于一九二五年初,在文学圈子里获得一致好评,人们发现它确实尖锐地抨击了现实,但它抨击的是现实中的粗野、愚昧和荒廖。小说写一条狗因为做了人的脑垂体移植手术,突然成了有人外表的流氓,致使流氓习气随着脑垂体分泌的激素,渗入了取名沙里科夫的实验室怪物的每个细胞。沙里科夫的可怕不公在于他身上那些流氓无产者的劣性,并且在于他对社会主义的庸俗化.表面上看来,《狗心》很像一个科幻故事,但是实际上却有着反乌托邦小说的关于哲理和社会的深邃思考。 国际知名的医生菲利普·普列奥布拉任斯基教授,为了进行改善人种的优生学试验,把一个刚刚死去的行窃的酒鬼的脑垂体和睾丸移到一只叫沙里克的狗身上。沙里克竟变成了“还处于最低发展阶段的”人——沙里科夫。 这个能讲人言、衣食如人的衣冠禽兽,一天天显示出是一个怀着“一颗最为卑鄙龌龊的心”的败类:酗酒、偷窃、说谎、告密、无耻下流,直至栽脏陷害、用手枪威胁要强占教授的住宅。更有意味的是,这个狗“出身”的沙里科夫竟然被政府赏识而任命为莫斯科公共卫生局清除流窜动物科科长。他穿上了皮夹克(这是当时文学作品里革命者的形象模式),出入有专车——尽管是卡车。幸而两位“造物主”普列奥布拉任斯基教授和博尔缅塔尔大夫及时用手术把沙里科夫还原为沙里克,才没酿成惨祸。 在这篇小说里,布尔加科夫力究天人之际,思考着人与自然、人与社会的关系、人的能力限度以及人对于整个自然界的责任。实际上,布尔加科夫继续阐释着一个重大的主题:人不应该僭越,不应该觊觎全能的上帝的位置。这个上帝便是自然、社会的客观法则。试图超越社会、自然的进程,把科学变为破坏客观规律的迷信,狂热蛮干地“创造历史”,是不能不受到惩罚的。正如小说《不祥之蛋》中,佩尔西科夫教授虽然掌握了科学,却缺乏对人类社会的责任感,最后死于疯狂的群众的乱拳之下;而给人类社会带来可怖的厄运的洛克,急功近利而智力低下到根本谈不上什么责任感问题,却“带着官家的公文”,则是更为可怕的。 而在《狗心》中,国际首屈一指的名医菲利普·普列奥布拉任斯基教授空前绝后的完美手术只能创造出险些置其于死地的社会败类。普列奥布拉任斯基教授经受了自作自受的“科学实验”之后,终于觉悟道:“看吧,如果一个研究者不是摸着大自然的脉搏,与之共进,而是想加速问题的解决,揭开那神秘的帷幕,那么,就给你个沙里科夫尝尝,还让你吃不了兜着走。” 看来,人要充当上帝——造物主的角色,结果只能是对上帝的讽刺性模拟。干扰世界的客观进程最终只能落得搬起石头砸自己的脚的下场。
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自“大老霸”牺牲后,“超杀女”明蒂(科洛·莫瑞兹 Chloe Moretz 饰)不忘匡扶正义的使命,依然穿梭城市的每一个角落惩治邪恶。而“海扁王”戴夫·莱泽斯基(亚伦·约翰逊 Aaron Johnson 饰)为了能和超杀女组成新的搭档,心甘情愿接受对方的各种严苛训练。另一方面,收养了明蒂的马库斯(Morris Chestnut 饰)希望她能过回正常校园女孩的生活,享受恋爱和友情点缀的人生。眼见明蒂放弃了正义使者的身份,戴夫只得转向由洗心革面的黑帮打手“上校”(金·凯瑞 Jim Carrey 饰)组成的正义永存联盟,和一群原本生活中的废柴为了正义而奋斗。与此同时,失去父母的克里斯(克里斯托夫·梅兹-普莱瑟 Christopher Mintz-Plasse 饰)狂性大发,更名“臭屁王(MotherFu*ker)”,他网罗了一群亡命之徒,发誓摧毁海扁王及其伙伴们的正义事业。 正邪大乱斗在这座城市里拉开帷幕……
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更多 →正欲
影片改编自朝井辽的同名小说,讲述稻垣吾郎饰演检察厅的检察官寺井启喜,他担心不愿上小学的儿子很有可能与外界脱节。新垣结衣饰演购物中心的桐生夏月,生活中她隐藏着自己的特殊性癖好,两人机缘巧合相遇,擦出了一段火花。
荒野巨兽
2100年,在神秘的荒野极寒森林地带,到处是茂密的原始深林,和寒冷的冰雪,里面暗藏危机。在这片极寒荒野森林地带有一块带有外太空宇宙力量的加卡尔2号星球的陨石坠落于此,这种陨石具有神秘的力量可以将其他生物变异,但是通过科学家将其找到并技术改良,可以消除陨石带来的变异力量,化为解决多样性生物各种疾病造福人类的解决方案。文教授所带领的科考队前往了这片荒野极寒森林地带寻找这颗陨石来消除这场危机,但是邪恶的烈昆集团也在寻找这颗陨石给他们带来财富,但是谁都没有想到陨石改变了生物的特性,这群生物变的危险重重,文教授他们能否面对邪恶的烈昆集团和危险生物的双重危机,找到陨石解决这场危机?
不干了,我开除了黑心公司
北川恵海人气小说《不干了,我开除了黑心公司》电影化,成岛出执导,福士苍汰主演,工藤阿须加、黑木华、小池荣子、吉田纲太郎等在片中出演。讲述了青山隆在公司被压迫精神压力过大,但被朋友山本的活力感染又恢复了自信,但隆却得知真正山本三年前就自杀了……